La pie, 1868-1869
Claude Monet was born on November 15, 1840 in Paris, but his family moved
to the port city of Le Havre, France while he was still young. He loved to draw
as a child. Around the age of eleven, Claude entered a school for the arts. A
few years after he moved to Paris. He painted a
lot of outdoor scenes. He then decided to take on large project he called Women in the
Garden. This was a huge painting, over eight feet tall, that he painted outside
in the natural light. It was a normal everyday scene. He spent a lot of time on
it, but the critics did not like it. He became depressed and was also out of
money.
War broke out in France in 1870 and Claude moved with his new wife,
Camille, to London. There he met art dealer Paul Durand-Ruel who would become
one of his strongest supporters. At this time Monet began to study the relation
of the city of London to the River Thames. Monet became friends with several of
the leading artists of the time including Pierre Renoir, Edouard Manet, and
Camille Pissarro. Together they formed the Society of Anonymous Painters,
Sculptors, and Printers. They wanted to experiment with art and not do the same
classical art that satisfied the art critics of Paris. They organized an
exhibition of their art in 1874. One critic called it the Exhibition of the
Impressionists. The term "impressionist" was used to imply that the
art was just an impression of something and not completed. It was meant as an
insult. The critic got the word "impression" from one of Monet's
works. It is called Impression: Sunrise. This painting was a great example of
the new style. The lighting gives the viewer the feeling or
"impression" that the sun is just rising. Monet's use of light was
unique.
Impression Soleil Levant, 1872
Despite the critics of Impressionism, Monet continued to refine his work.
He continued to try and capture the changing effects of color with light. He
used a wide range of vibrant colors and painted quickly using short brushstrokes.
Soon, Monet's work began to gain recognition. His paintings started to sell. He
even organized an Impressionist art exhibition in the United States in 1886.
In order to continue his experiments with light, Monet began to paint
series of the same scenes. He would paint them at different times of the day
and in different types of weather. He painted a series on haystacks, the Rouen
Cathedral, and the London Parliament.
Cathédrale de Rouen : Le portail (Soleil), 1894
Near the end of his life, Monet embarked on his largest project. It was a
series on the pond at his home in Giverny. It involved a number of huge
paintings of the pond in different lighting and conditions such as morning,
sunset, and clouds. He called it the Grandes Decorations. When finished, all
the panels together were over 6 feet tall and nearly 300 feet long. During much
of the project the aging Monet was suffering from bad eyesight and lung cancer.
He spent the last ten years of his life on the project and donated it to France
in honor of the end of World War I. He died on 5th December 1926 in
Giverny.
Le pont japonais à Giverny, 1899
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